Combat feels a little faster, though possibly creating slightly less control.Īnd, of course, there are a few drawbacks, though they certainly don’t ruin the game. Nice touches in the context sensitive kills, like pushing the analog sticks in opposite directions to rip an enemy in half. In the short demo, I upgraded four times. Souls seem to come a little faster and unlock new combos that are at least somewhat similar to GoW. Every health regeneration fountain requires a quick time button mash that will undoubtedly get tiresome, though does at the feeling of arduosness in the journey. The combo counter is more forgiving than GoW, making you feel like you’re really good at stringing together those combos. – Angry protagonist on a quest for redemption.Īnd while God of War didn’t fall short, there are a few differences that make some dramatic differences in game play. Green is for health restoration, purple is magic (mana). collecting “soul orbs” to buy weapon upgrades Apparently, the soul of Beatrice can’t wear a shirt. female frontal nudity within the first 30 min of game play, and plenty of it.
It’s as if the dev team knew they were making a clone of one of the greatest games of all time and thought “if you can’t beat’em, be bigger and grosser.”Īll this being said, the game is very similar to God of War on a number of fronts. In short, it’s fun to play and, if you can stomach it, killer to look at.
GENERATIONS COMBO LITTLE INFERNO UPGRADE
It’s cut-scenes are some of the most highly-rendered of this generation, the environments are beyond highly detailed, and the weapon upgrade system makes progress feel immediate. “Artistic purity” aside, there’s nothing wrong with being a clone, if it’s done well, and Dante’s is done well. Proof? The opening scene features Dante sewing a red cloth cross into his chest and it just goes from there.
It can only be imagined that, in development meetings for Dante’s Inferno, a God of War clone if I’ve ever seen one, that the phrase “more brutaler” was used with even more frequently. In the Making of God of War featurette on the God of War game, game director David Jaffe uses the word “brutal” frequently, citing the adjective as a driving force behind the development of the now-legendary first installment of the God of War franchise.
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